Tampilkan postingan dengan label No One Killed Jessica. Tampilkan semua postingan
Tampilkan postingan dengan label No One Killed Jessica. Tampilkan semua postingan

No Bollywood for Bubbles Sabharwal

Post " No One Killed Jessica", Bubbles Sabharwal – who played Mallika, owner of the pub where Jessica was shot dead – has become a known face in the film fraternity as well.

And as she was her usual exuberant self at one of the all-ladies brunches in the city, laughing and chatting away with friends, we asked her if the role has paved way for future Bollywood projects as well. "A few offers for different roles have been coming in, but I really can't take them up. Coz most of the films have outdoor shootings, for which I will have to keep travelling, and I neither want to do that nor shift base to Mumbai. A good portion of "NOKJ" was shot in Delhi, so it was easy. But after that, I am not so keen to work in films day and night," said Bubbles, who recently organized a play in Delhi  

Vidya retrospective at Indian film fest in Oz

The spotlight is on acclaimed Indian actress Vidya Balan at the ongoing 2011 Indian Film Festival (IFF): Bollywood and Beyond, which is screening a special retrospective of acclaimed Indian actress Vidya Balan's finest films from " Parineeta" to "Ishqiya". 

Over over 30 films will be screened at the fest, including 15 Australian premiers. The 10-day festival, which is screened in Sydney (March 9-19), Melbourne (March 11-20), Adelaide (March 22-29) and Auckland (March 24 to April 3), kicked off this week at Hoyts Cinema Paris in the Entertainment Quarter, next to the Sydney Cricket Ground, with the Vidya starrer " No one killed Jessica" and British producer Leslee Udwin's "West is West".

Since making a dream debut in "Parineeta", Vidya has mesmerised audiences with her powerful performances.

"The most exciting thing as an actor is to do diverse roles. A film has to be engaging and entertaining as for me cinema is ultimately about hope," said the 33-year-old, who is looking forward to the June release of Sujoy Ghosh's thriller "Kahani" in which she plays a six-month pregnant woman, and Milan Luthria's "The Dirty Picture", based on the life of Silk Smitha, south Indian cinema's ultimate sex symbol.

For Vidya, who has travelled the world, Australia's Gold Coast, known for its sunny surfing beaches, is the favourite locale to shoot. "I had the most chilled out time in Surfer's Paradise. I also enjoy shooting in Toronto, which has a lovely energy with cultural activities all around," she told, recalling the time she had while shooting for "Heyy Babyy" in Sydney.

She feels the more independent voices Indian cinema embraces, the more universal appeal it will have.

Director Raj Kumar Gupta, on his first visit to Australia, told: "It is a privilege to have 'No one killed Jessica' as the opening film of this festival. The landscape of cinema is changing and how the audience receive the film, connect with the emotions and identify with this journey is important for me."

Australians and Indians have been coming with friends, partners and spouses to the festival, which is showcasing a sizzling mixture of comedy, romance, action and drama - from hardcore blockbuster "Dabangg" and the critically acclaimed "No One Killed Jessica", to "West Is West".

Rituparno Ghosh's Bengali film "Abohomaan" and Ananth Mahadevan's Marathi film "Mee Sindhutai Sapkal" too is a part of the bouquet.

As festival director Mitu Bhowmick Lange told: "This year we've made a conscious effort to bring you films that eloquently express a new sophistication in contemporary Indian cinema; a hugely exciting seismic, cultural shift that must be shared. The aim is to showcase just how absolutely versatile and unique is our film industry. We have ventured beyond Bollywood to include some of the finest regional films."

The credit for bringing Indian films into mainstream cinemas in Australia goes to Mind Blowing Films, which has also been promoting Australian locations to Indian film producers and directors.

The festival director called on the Diaspora to ditch pirated two dollar DVDs sold at South Asian spice stores and support filmmakers by watching their works on the big screen.

Audiences also warmed to "West Is West", a sequel to Udwin's much loved "East Is East", which opens in India next month (April).

Udwin, who now lives in Copenhagen, told: "I always knew there was going to be a sequel. People recognise that this film is about their story. It is a crowd pleasing film with a heart and spirit, which makes the audience cry and laugh. It is where comedy and tragedy fit in the same frame, an absolute reflection of life. In fact, I feel there is a trilogy in `East Is East'."

Also screening is the winner of the Western Union Short Film Competition, "Mumbaikar Ganesh" by Indian director Collin John D'Cunha.

"Acknowledgment of 'Mumbaikar Ganesh' means a lot to me as I am able to share my work with family and friends in Australia through this festival," said Kush Badhwar, the cinematographer who was born and brought up in Sydney and is now working in Mumbai.

The festival closes with producer-actress Juhi Chawla and director Onir's "I Am", an innovative film that explores the issues of homosexuality, prostitution and child abuse.

Wave of women centric Bollywood movies a welcome trend

New Delhi, March 7 – “No One Killed Jessica”, “Mirch”, “Turning 30″ and “7 Khoon Maaf” – all women-centric films in the last few months show the female leads in strong and powerful roles. Filmmakers and actors hope this trend continues in future.
 
On the silver screen women are usually seen as a helpless mother, submissive wife, devoted girlfriend, overcaring sister, daughter or a vamp, but directors like Vishal Bharadwaj and Alankrita Shrivastava are trying to break the mould and present women in a more realistic, vibrant and unconventional way.

One-film-old Rajkumar Gupta’s “No One Killed Jessica” was an attempt to bring alive the struggle of Sabrina Lall’s fight with the Indian judiciary for years to get justice for her murdered sister.

Starring Vidya Balan and Rani Mukerji, the movie created a buzz as it was inspired by the 1999 murder of model Jessica Lall and the director was never apprehensive that his film won’t do well without a strong male character.

“The protagonists in my movie were two leading ladies who were very powerful in whatever they did. It’s not easy to make a film on such a theme, but times are changing and people are accepting it with open arms,” Gupta told IANS.

Director Vinay Shukla, best known for his 1999, multiple National Award-winning project “Godmother”, is confident there will be more successful women-centric films in the years to come.

“At the moment, the number of women-centric movies is less, but it will grow with time because actresses nowadays have got huge potential to run a movie on their shoulders much like their male counterparts,” said Shukla, whose latest film “Mirch” dealt with four stories of women’s emancipation.

Other movies that gave importance to women character is Bharadwaj’s “7 Khoon Maaf”, inspired by Ruskin Bond’s short story “Susanna’s Seven Husbands”, which saw Priyanka Chopra bumping off her seven husbands, while debutant Alankrita Shrivastava’s “Turning 30″ was a take on the dilemma of women at the milestone age.

Talking about her experience of working as the leading lady in “Turning 30″, actress Gul Panag said: “‘Turning 30′ was all about a woman’s perspective and being a woman, I loved shooting every part of the movie as it was an honest attempt. We gave it our best and I am proud of the movie.”

Earlier too, films like “Dor” (2006), “Silsilay” (2005), “Tehzeeb” (2003), “Pinjar” (2003), “Chameli” (2003), “Satta” (2003), “Filhaal” (2002), “Zubeidaa” (2001) “Lajja” (2001), “Chandni Bar” (2001) and “Fiza” (2000) brought the woman into the spotlight – all these films got critical acclaim, but they didn’t turn out to be a commercial hit.

Shukla pointed out: “It’s not that the trend of women playing the main character has come into practice now. It has been happening for quite long. From Meena Kumari in ‘Sahib Bibi Aur Ghulam’, Nargis in ‘Mother India’, Nutan in ‘Bandini’ to Hema Malini in ‘Seeta aur Geeta’ and Meenakshi Seshadri in ‘Damini’, these ladies always managed to make an impression on the audience.”

“The number of such movies has in fact decreased in today’s time but the reason could be that women-centric movies are distinctive and appeals only to a specific audience,” he added.
Veteran actress and censor board chief Sharmila Tagore said: “I feel more women-centric films will come with time. But we shouldn’t complain because it’s the same the world over – it is indeed, the male characters that are in prominence even in Hollywood. So we shouldn’t fuss.”

The 64-year-old, who has been in the industry for over five decades, feels “No One Killed Jessica” is the only woman-centric movie to have worked at the box office.

“Only one women-centric film has sort of worked – ‘No One Killed Jessica’; so one shouldn’t get too excited about the phenomenon. ‘No One Killed Jessica’ was a hugely publicised film because of the actual happening, which had affected so many people. The news about Jessica (Lall) was in the front page of dailies for very long, people were so involved, so the film had a lot of publicity value in a commercial way. So, it was one success,” Sharmila explained.

Meanwhile acclaimed actress Rani Mukerji says she is looking forward to more projects where women are projected as strong and powerful.

“Whatever films I have been a part of so far, most of them have been women-centric films. I wish to do more such films where women are shown stronger because it is a fact that women are stronger,” she said.

By Nivedita Sharma
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